I’ve been fascinated by bio-pics since I was about 10 or 11, when I first saw The Tommy Steele Story, made just a few years after he became a star, with Tommy Steele himself playing the lead (a rare thing). What began as a simple love for watching these films has grown into a deeper interest in how they shape our understanding of real lives. Now, I write, talk about, and reflect on the genre, exploring its impact and storytelling techniques. I hope you enjoy the books on this list as much as I have, and fingers crossed they’ll become films in the future!
I’ve always been fascinated by actors who become trapped by their most famous roles, and Bela Lugosi is a prime example. Dracula (1931) made him a legend but also led to typecasting, addiction, and decline, which was heartbreakingly portrayed by Martin Landau in Tim Burton’s Ed Wood.
Koren Shadmi’s graphic novel traces his life from his early days in Hungary, where he was a theatre star and political activist, to his tragic downfall in Hollywood. A bio-pic could give us the full picture: the ambition, the talent, and the slow, painful descent of a man haunted by his own creation, and its illustrations would provide a handy reference for the director’s vision.
A biography chronicling the tumultuous personal and professional life of horror icon Bela Lugosi.
Lugosi, the tragic life story of one of horror's most iconic film stars, tells of a young Hungarian activist forced to flee his homeland after the failed Communist revolution in 1919. Reinventing himself in the U.S., first on stage and then in movies, he landed the unforgettable role of Count Dracula in what would become a series of classic feature films. From that point forward, Lugosi's stardom would be assured...but with international fame came setbacks and addictions that gradually whittled his reputation from icon to has-been.…
When I was working on the fundraising campaign to raise money for the statue of Virginia Woolf for Richmond, I was constantly being quoted the line, “I’d rather die than live in Richmond.” This line, uttered by Nicole Kidman as Woolf in The Hours, was completely made up by the screenwriter.
Woolf’s decade (1914–1924) in Richmond was actually one of her most prolific. She launched the Hogarth Press, wrote major works, and hosted literary gatherings whilst also navigating the upheaval of World War I. This book, drawing from her letters and diaries, paints a richer picture of her time in Richmond. I think this bio-pic would challenge the Bloomsbury-dominated narrative and put pay to that rogue quote.
"I ought to be grateful to Richmond & Hogarth, and indeed, whether it's my invincible optimism or not, I am grateful." Virginia Woolf
Although more commonly associated with Bloomsbury, Virginia and her husband Leonard Woolf lived in Richmond-upon-Thames for ten years from the time of the First World War (1914-1924). Refuting the common misconception that she disliked the town, this book explores her daily habits as well as her intimate thoughts while living at the pretty house she came to love - Hogarth House. Drawing on information from her many letters and diaries, the editor reveals how Richmond's relaxed way…
I love a good scandal, and Idina Sackville’s life had enough for several films. She married five times, inspired Nancy Mitford’s most glamorous characters, and caused a stir in both London high society and Kenya’s notorious Happy Valley set.
Her wild lifestyle, though, had dark consequences when her ex-husband, Josslyn Hay, was murdered in 1941 in a case that shocked colonial Kenya and became the subject of White Mischief (1987). Frances Osborne (Idina’s great-granddaughter) goes beyond the gossip, showing us the heartbreak, resilience, and sheer audacity of Idina’s life.
A film would contrast the dazzling excess of 1920s London with the raw beauty and moral decay of Happy Valley. And with Idina rumored to have inspired a Taylor Swift song, The Bolter, it might even pull in a few Swifties.
A San Francisco Chronicle Best Book of the Year An O, The Oprah Magazine #1 Terrific Read
In an age of bolters—women who broke the rules and fled their marriages—Idina Sackville was the most celebrated of them all. Her relentless affairs, wild sex parties, and brazen flaunting of convention shocked high society and inspired countless writers and artists, from Nancy Mitford to Greta Garbo. But Idina’s compelling charm masked the pain of betrayal and heartbreak.
Now Frances Osborne explores the life of Idina, her enigmatic great-grandmother, using letters, diaries, and family legend, following her from Edwardian London to the hills…
1950s MGM swimming star Esther Williams dazzled on-screen but faced challenges off it. Her autobiography recounts her rise from poverty, four turbulent marriages, and dangerous stunts that left her injured. A bio-pic of Williams would shine a spotlight on this resilient, forthright woman, blending the opulence of MGM’s golden age with the grit of her off-screen struggles.
From her innovative contributions (thank you for waterproof mascara and lycra swimwear!) to the harrowing realities of her stunts, her story is ripe for the big screen. Plus, imagine the sheer visual delight of recreating her most famous routines on the big screen.
In her autobiography, legendary swimming and MGM star Esther Williams reveals what it was like to work at one of the premier studio's during Hollywood's "Golden Era". She was one of the studio's most bankable leading ladies. An American beauty and swimming champ, she was hired at MGM in 1941 at age 18, and from then on starred in two or three thinly plotted "swimming musicals" a year, such as "Neptune's Daughter", "Million Dollar Mermaid", "Easy to Love", and "Take Me Out to the Ball Game".
In the summer of 1816, Mary Wollstonecraft Godwin, her husband-to-be Percy Bysshe Shelley, their close friend Lord Byron, Mary’s stepsister Claire Clairmont, and Byron’s physician John William Polidori gathered at the Villa Diodati near Lake Geneva, Switzerland, where they challenged each other to craft ghost stories.
Mary’s contribution—a tale exploring the possibility of reanimating a corpse—became the seed of Frankenstein. This summer and the creation of Frankenstein have been vividly portrayed in bio-pics such as Gothic (1984, Ken Russell), Haunted Summer (1988, Ivan Passer), and Rowing with the Wind (1988, Gonzalo Suárez).
Less explored is her time in Bath (Sept 1816 - May 1817), where she worked on the novel. This book (2024) delves into these months, showing how Mary navigated grief, personal loss, and her writing routine. For those who love books, it also highlights the texts she and Percy read during this period, which influenced her work.
This time offers a unique lens on the emotional and intellectual crucible that led to Frankenstein, making it an ideal subject for a bio-pic.
Manderley Press is delighted to announce that the acclaimed poet and historian Fiona Sampson will introduce a brand-new collection of Mary Shelley’s work - all of which was written during, and inspired by, the short yet influential time Mary spent living in the historic literary city of Bath.
Step into the intriguing world of Mary Shelley's transformative time in Bath, a period that deeply influenced her literary genius. In Mary Shelley in Bath, we will explore the personal and creative evolution of the renowned author during her stay in this elegant Georgian city.
Against the backdrop of Bath's grand architecture,…
In this book, Ellen Cheshire asks whether bio-pics are a genre in their own right or simply a storytelling tool used within other genres, like westerns or costume dramas. Unlike most genres, bio-pics don’t share a fixed style or setting—what links them is that they depict the life of an ‘important’ person.
Focusing on English-language bio-pics since 1990, Cheshire examines their resurgence, narrative structures, and how they shape public perception. The films are grouped by profession (writers, musicians, politicians, athletes, criminals, and artists), allowing for comparisons in how different lives are portrayed on screen.
